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Of all this year’s Oscar nominees for Best Picture, from the epic (Dune:Part Two) to the esoteric (Emilia Perez), it is Conclave that carries the baton for conversational, contemplative filmmaking, that eschews super-sentiment and sensationalism, that instead leans into its majestic setting to create a deceptively serene environment for passionate power-playand all-too-human interaction, that shares a wonderful script between actors all working at the peak of their skill. In short, it’s the kind of film that used to win Best Picture at the Academy Awards in years gone by.
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