Reality TV and talent shows have always had the same criticisms levelled at them. They're exploitative, they are cruel, they play on the emotions of the vulnerable for the enjoyment of the masses. The people who make such shows have always strongly defended the formats, arguing that they give people a chance to be "discovered" and that they take their duty of care to contestants extremely seriously. In many shows contestants are screened psychologically in advance, and given support dealing with fame and the media throughout.

Ad

Ultimately, these are often well-established entertainment formats. And largely speaking the contestants are going into them with their eyes wide open.

But there was something about last night's X Factor Six Chair Challenge that felt different and slightly uncomfortable. For those unfamiliar with the returning round of the show, the section saw Rita Ora's "girls" category one by one singing in front of her, the three other judges and a huge arena crowd for a place on one of six seats on stage. Those who impressed got a seat, those who didn't went home.

But the twist was that once you had a seat, you were still not guaranteed to keep it. And as more singers arrived on stage, if they wowed Rita and the screaming crowd, they were awarded a seat at the expense of one of the worried-looking incumbents.

Cue tears, trembling and begging for their places in front of a baying crowd whose deafening shouting and screaming to "swap, swap, swap" and "get them out" kept everyone glued to their seats at home whilst the dark game of musical chairs played out on stage.

This wasn't the first Six Chair Challenge ever (we had it last year), but it was the first example of the format this year and it felt that starting with teenage girls (arguably the most vulnerable-looking group) in such a tinderbox atmosphere, the show felt more brutal than perhaps it even intended.

Rita Ora's continual exclamations that "this is SO hard" to be part of were echoed in my household as we tried to watch. I'm not sure whether it was particularly because so many of the girls had been preceded (as is customary on X Factor) by a video explaining just how much they "wanted it"/"needed it" before their dreams were crushed on stage in front of thousands of screaming fans, or if it's just unpleasant to see anyone of any sex or age beg a millionaire for anything on national television... but it made for extremely uncomfortable television.

However, I watched it to the end because it was compelling (and that's what it was meant to be). Indeed, on many levels I enjoyed it, so I certainly can't condemn it. But would I watch it again? I'm not so sure...

Ad

Authors

Tim GlanfieldEditorial Director, RadioTimes.com

Comments, questions and tips

Rate this recipe

What is your star rating out of 5?

Choose the type of message you'd like to post

Choose the type of message you'd like to post

Overall rating

Ad
Ad
Ad
Create an image depicting a festive scene with elements from the top Christmas songs, such as a snowy New York for 'Fairytale of New York', a cozy home setting for 'Last Christmas', and a glamorous Christmas party for 'All I Want for Christmas Is You'. Include musical notes and festive decorations to represent the spirit of these iconic Christmas songs.

RT offer

Immediate’s iconic brands reach 21m people every month – that’s more than a third of the UK’s adults – through its world-class magazines, innovative digital products and exciting live events

hello
An image depicting a festive scene with iconic Christmas elements such as a beautifully decorated Christmas tree with twinkling lights, snow gently falling, and perhaps a cozy fireplace in the background. The image should capture the essence of popular Christmas songs, with musical notes and lyrics subtly included in the design, representing a playlist of classic Christmas tunes.

summer

Immediate’s iconic brands reach 21m people every month – that’s more than a third of the UK’s adults – through its world-class magazines, innovative digital products and exciting live eventsImmediate’s iconic brands reach 21m people every month – that’s more than a third of the UK’s adults – through its world-class magazines, innovative digital products and exciting live eventsImmediate’s iconic brands reach 21m people every month – that’s more than a third of the UK’s adults – through its world-class magazines, innovative digital products and exciting live events

More